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Showing posts with the label animation

Snakes, Ladders and Life Drawing: Art Director's Club Creative Carnival

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An albino Burmese Python - "a non-venomous constrictor." As if being creative on demand isn't already stressful enough, any party thrown by the advertising or design industries had better be an art-directed jaw dropper or you'll be sneered out of the room - from the slick promo poster down to the burlesque aerialist gyrating with an Albino Burmese Python. So all that and more was served up at the   Art Directors Club  Creative Carnival, a promo night for illustrators and their reps co-run by a portfolio company called Workbook . The loft-like Chelsea offices of the AD club was transformed into a circus space where 30 or so artists and illustrators sat ringside, engaged in a "life drawing" exercise of the slightly contorted kind ... Inside the ring, ladies in burlesque costumes (and skirts made from bananas) cracked whips, performed aerial acro-yoga and and fondled some pretty impressive creatures, like a yellow-hued  Albino Burmese Python . How do

Ms Sulu to you! GeekingOut with George Takei

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Patrick Yacco of GeeksOut congratulates me on winning a PJ McQuade doodle of George Takei - and seems that George "liked" this photo on Facebook .  OK, it wasn't in Chelsea, but good as ... Last Friday I got an impromptu invite to an art raffle by my illustrator friend Justin Winslow . Oh how fun to be Justin's "fruit flyette" of an evening ... last time I mumbled "ok" to one of his texts I ended up in a place called the Rawhide staring up at an impressively gyrating, live advertisement for Iron Gym , one of which, like you, I own and have hanging, like yours, nowhere near a doorframe turning me into Wonder Woman or you into Big Arnie, unless you're a body conscious Chelsea boy. Yes, Chelsea is known for its gay population, although the plummet from gentrification to generification is fast turning it into another Duane Read/Rite Aide/Olive Garden 'burbia. But I digress. The event, organized by a very fun collective called  Geeks

NY Comic-Con 2010: A Pandemonium of Polyvinyl 'n' Plush

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While not technically in Chelsea - more like Midtown - I just attended the massive adult toy ( G-rated) extravaganza, Comic-Con, at the Javitz center. Read about it on my Galfromdownunder Upover blog . It's worth it - there's a movie!

Tim Burton @ MOMA

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MOMA is nowhere near Chelsea, but occasionally I make my way up there on someone else's guest pass, and since this blog is mostly about art ... On this occasion it was to see a Tim Burton retrospective with graphic artist pal, Justin Winslow . I'm not a huge Tim Burton fan, but I appreciate the pathos in his work. He reminds me of one of Australia's greatest living melancholics, Michael Leunig . I'm just going to share a few of the ones I liked - the ones I got a shot of before being told "no photos." This the Tongue Twister. What kind of criterion is required to adequately twist a tongue, as this creature is so efficaciously effecting? Let's see now ... a striped bumble body, wicked-witch gloved hands, amphibious tentacles, waspy wings, and a 'do from HAIR. And a really scary, Joker-like countenance. But of course!   I really liked Burton's "Mars Attacks!" aliens. This one, in a glittery, swirly gown and bodice, took

Creepier than Krusty the Clown: Alison Schulnik at Alexander and Bonin

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One of Alison's deep, dark melancholy clowns. Watch her riveting Hobo movie . I love the  Alexander and Bonin Gallery . I pop in several times a week when I'm in the neighborhood, and loiter longer than is decent before works that enthrall, intrigue, transfix. Like this creepy clown, by LA artist Alison Schulnik . The eyes are like two tragic abysses, hollowed out from the thick, thick paint, perhaps with a finger. The strokes look like a supersize tube of each color - mainly black - was the actual brush. She must have gone through a truckload of tubes. Creepy the Clown's brethren come alive in a super trippy, melancholy claymation clip called Hobo the Clown on Alison's website. Those eyes spin and merge and spread and splatter as only claymation can. Check out her other videos . With the classic circus clown, the sad mouth is always over-exaggerated, the eyes reduced to "+" signs receding into a backdrop of pancake white. Yet here, it's like