I CONFESS that a week ago, I didn't give much thought to collecting photographs. Perhaps due to the push-button instant gratification of the camera, it always seemed the "easy way out" compared to artfully splashing about layers of paint or fashioning grand canyons out of core ten steel (a la Richard Serra). I've since done a 180-degree about face, partly due to a friend's recent purchase of a vintage photo that led me to "real deal" photo gallerista Deborah Bell , enthusiastic art consultant Brian Appel , and a fascinating series of mini-talks entitled "511: Holiday Focus on Photography" this past weekend. The 20-minute talks by the seven galleries were excellent but scheduled a bit too tightly, leaving no room to browse before you had to beat it to the elevator to see the next. (A 30-40 minute window, leaving time to ponder the just-discussed work, would have made more sense). One thing I noticed was how affable and friendly this b
Showing posts from December, 2010
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One of Bennett's many works featuring his famous "knit stitch". "What's a Oregon painting doing in the blog of Chelsea Gallerista, New York City? Well, it's my blog, so I'll finagle the GPS if I want to ... Sticks and Stones" by Paul Alan Bennett is sitting on a friend's wall in Eugene, Oregon, waiting to emigrate to the Coast where I am currently loitering with intent. It may well have heralded the end of my wandering days as a solo bicycle adventurette. The print, one of an edition of 250, is about as big as the biggest flat screen TV turned sideways. It's framed - not the sort of thing you should be buying if you're in the move! I'm still trying to decide if I should just gift it to him - the shipping of this very large painting will probably warrant just buying it again ($275) and re-framing it. Something captivated me about this picture, when I saw it in a flyer on a notice board. Probably because it'