Chelsea Gallerista

"Bird Void", a still from Chris Doyle's video installation Waste_Generation Andrew Edlin gallery, "the middle one" of the 10th Ave trio of Lori Bookstein, Andrew Edlin and Alexander & Bonin is currently showing a captivating multimedia work by Chris Doyle , an artist famous for working with projected images in public spaces. Here's my favorite work in the exhibition -  a duotrans movie still called "Bird Void" from his trippy floor-to-ceiling video projection screening in an adjacent room. Illuminated as a lightbox, it features a kaleidoscopic digital backdrop overlayed with smokestacks reminiscent of the artist's hometown Brooklyn, surrealistically etched by the negative silhouettes of menacing crows. Though the artist demurs that this is a save-the-planet message or political message, that's the overarching sentiment. It's best summed up by the Edlin team on the gallery's site: ... In it a dump site for outmoded to

Above: The view from the Standard Hotel's elevator - one you don't mind being stuck in The Standard Hotel - a shingle as chicly understated as the building is understatedly chic - has opened its lounge in the stratosphere. Straddling the wildly popular Highline aerial park, which I filmed just before it opened, this Polshek-designed, Andre Balazs-owned inn reminds me of the Jolly Gray Giant. I don't even know what the latest name of the lounge is - Manifest? Boom Boom ... Boom? The celebs have christened it of course, but this post is for us plebestrians who pass between the Giant's gray chino'd thighs, peering crotchward to see if those mile high performances are just a myth (Motel Sex? Boom boom). You enter the hotel through a Lego-like yellow cylinder and reappear in a small lobby flanked by two very cool, white egg-crate like partitions. The maid in me wonders if someone is hired to featherdust each and every hole ... The elevator to the lo